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Our work

AI songs taken to release. Everything else finished too.

We work from whatever comes through the door: AI exports, home recordings, stems, voice notes and full sessions. These are the kinds of jobs that leave here finished.

A jagged AI waveform transforming into a smooth finished master AI → Release

Suno single taken to release

A raw Suno export with all four classic problems: glassy top end, a kick with no weight, low mids smeared under the vocal and a lead that drifted off pitch in the second verse. De-mudded, the sub rebuilt, the vocal re-timed, mastered to -14 LUFS and delivered with a radio edit and an ISRC.

Large mixing console with red-lit meters in a dark control room Mix from stems

Full mix from a home studio

Twelve stems from a bedroom setup, recorded over six months. Vocals comped and tuned, kick and bass separated in the low end, guitars widened, the whole thing balanced so the chorus lifts without turning the master down. Released on all platforms.

Microphone and pop filter inside an acoustically treated vocal booth Vocal repair

Vocal repair on an AI track

The lead vocal on this one changed character between every line and drifted a few cents flat whenever the chorus hit. Corrected pitch and timing, smoothed the transitions and placed it exactly where the beat needed it — the single change that made the track work.

Vintage outboard audio gear with an illuminated VU meter Radio & TV

Radio ads and jingles

A national retailer's campaign: script refinement, two voice artists, an original music bed, and 15s / 30s / 60s cut-downs delivered as station-spec masters in both mono and stereo. Plus a logo bed now used across their whole broadcast output.

Grand piano in a red-lit live room Original production

Original production from a voice note

A brand came in with a two-minute voice note describing a theme they couldn't find. We wrote it, arranged it, brought in session players, recorded it in Bedfordview and delivered a radio master plus a full library of cut-downs.

Studio condenser microphone lit in red inside a dark recording room Album mastering

Album mastered as one body of work

Ten tracks that each sounded fine on their own but fought each other as an album. Fixed by mastering the whole project against a single reference, so track 1 and track 10 sit in the same world. Delivered in three days.

Who we work with

Independent artists, producers, agencies and radio.

Independent artists

Singles, EPs and albums released properly from day one.

Producers & engineers

Mix and master overflow, album projects and delivery for client work.

Agencies & brands

Radio ads, jingles, sonic branding and original production.

Radio & TV

Station idents, promos and broadcast-spec masters.

Common questions

About our work

Can I hear a before and after of my own track?
Yes. Send us the track and we'll send back an assessment. Where a difference is significant enough to show, we'll include a before/after so you can hear exactly what the work did before you commit to anything.
Will you judge my music, or just fix the sound?
Only the sound. We're engineers, not taste police. If something in the arrangement is going to work against the record we'll say so plainly — but the creative decisions stay with you.
Do you keep my files or sessions?
We keep your project safe for the length of the job, then we return everything. You get your masters back and you keep 100% ownership of your song, your session and your publishing. We make no claims on any of it.

Send us the track you want to sound better.

Free assessment, fixed quote, usually back the same day.